Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

By James Rankin, Anna Ullrich

Animation Presets, a complicated Clone device, scripting aid, and a strong new colour correction approach are only some of the purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium lets you just do that, proposing a sequence of tasks that discover each point of Adobe's animation and results powerhouse. via concentrating on the parts that may be tricky for pro clients - even if simply because they current thorny matters or simply because they draw on thoroughly new gains - this quantity presents the targeted, functional guideline you want to maximize your After results productiveness. every one lesson presents need-to-know counsel, confirmed recommendations, and most sensible practices for various After results 6.5 features: from uploading and handling photos to viewing and enhancing layers, animating sort, and extra. The significant other CD contains QuickTime tutorial videos, resource code, and records for all the book's tasks.

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Go forward 15 frames, and change the Opacity to 0%. Adding a cross dissolve [View full size image] 54 55 To get more bang for the buck out of this section, add a second picture that will cross-fade with the other image: 1. jpg to the Timeline. 2. Drag the layer under the topmost Pic Matte layer. 3. Set Kitchen_02's Track Matte to Alpha Matte "Pic Matte". 4. Set its Scale to 41, 41% and its Position to 376, 270. 5. Add a 0% Opacity keyframe to Kitchen_02. 6. Go forward 15 frames, and change the Opacity to 100%.

Select the RainbowLamp layer. jpg layer in the Timeline and retain the layer's keyframes. Leave the Position and Scale as they are. New colors for the purple section 4. Change the text layer to display …that ties the room together, change the text's color to a really dark purple (RGB: 85, 50, 168), and position the layer at 177, 410. Changing the text for the purple section [View full size image] 30 31 Save and preview your work. ). Animating the effects The client has given you their company logo: a beveled script text on top of a flat sans serif font.

Building Backdrops Now you have the transitions you need for the final. These bold graphics should reveal an impressive layout underneath. It's time to start exploring the 3D aspect of the project. Next you'll create the background elements for each section using nothing but our multi-talented friend the solid. Fun with 3D If you're getting tired of the flat solid, this is the part you've been waiting for. You'll give your solids a little more punch and depth by spinning them in three-dimensional space until they land in place in your layout: 1.

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